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Salomè



Carmelo Bene's Salomè

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Cristóbal Ruiz Pulido

After several years of searching, I finally learned the name of the painter and the title of the work I noticed in The Limits of Control . Very little is available in English on Cristóbal Ruiz Pulido, but it was his painting, a portrait of his daughter in a hallway, that triggered a need to know more about his work. A substantial article in Spanish can be found here . Cristóbal Ruiz Pulido, painter and poet, was born in 1881 in Villacarrillo, a city in the south-central province Jaén in Spain. He studied at the School of Fine Arts, Cordoba with Rafael Romero Barros and then in San Fernando in Madrid with Alejandro Ferrant. From 1902 to 1914 he lived in France, Belgium and Holland, studying under Jean-Paul Laurens at the Académie Julian in Paris. In 1910 he participated in the National Exhibition of Fine Arts. In 1917 he won third prize, and in 1920 Tierras de labor won second prize. In 1925 he participated in the exhibition and in the manifesto of the Iberian Artists Hall,
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Meaningless Work

Meaningless work is obviously the most important and significant art form today. The aesthetic feeling given by meaningless work can not be described exactly because it varies with each individual doing the work. Meaningless work is honest. Meaningless work will be enjoyed and hated by intellectuals - though they should understand it. Meaningless work can not be sold in art galleries or win prizes in museums - though old fasion records of meaningless work (most all paintings) do partake in these indignities. Like ordinary work, meaningless work can make you sweat if you do it long enough. By meaningless work I simply mean work which does not make money or accomplish a conventional purpose. For instance putting wooden blocks from one box to another, then putting them back to the original box, back and forth, back and forth etc., is a fine example of meaningless work. Or digging a hole, then covering it is another example. Filing letters in a filing cabinet could be considered meanin
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The Extreme Discipline of Breathing

My mind has been a pile of mush for almost a year now due to a serious misfortune that unfolded in my life. Consequently I stopped reading regularly like I had been since my teens. I don't remember completing a novel or any nonfiction since maybe last year. I don't even remember the last few books I completed. Actually, I had read most of Memoirs of My Nervous Illness at some point last year, though, but that's the only exception. Just recently a friend of mine recommended that I take a look at an excerpt from Janet Frame’s posthumously published 1963 novel Towards Another Summer . Here's a little of what I read: "Yet here, in the attic, Grace decided, little effort or encouragement would be needed to draw aside the curtains of the secret window, to smash the glass, enter the View; fearful, hopeful, lonely; disciplining one's breath to meet the demands of the new element; facing again and again the mermaiden's conflict – to go or stay; to return through th
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