Grape Lights

Robert Warshow on the Rosenbergs (1953): On July 4, 1951, Julius clipped a copy of the Declaration of Independence from the New York Times and taped it to the wall of his cell. "It is interesting," he writes to Ethel, "to read these words concerning free speech, freedom of the press and of religion in this setting. These rights our country's patriots died for can't be taken from the people even by Congress or the courts." Does it matter that the Declaration of Independence says nothing about free speech, freedom of the press, or freedom of religion, and that Julius therefore could not have found it "interesting" to read "these words" in that particular document? It does not matter. Julius knew that America is supposed to have freedom of expression and that the Declaration of Independence "stands for" America. Since, therefore, he already "knew" the Declaration, there was no need for him to actually read it in or

A favorite sentence of the 24 chapter-length sentences that make up Friedrich Dürrenmatt's novella The Assignment : D. had listened to F.’s report and absently ordered a glass of wine, even though it was just eleven o’clock, gulped it down with an equally absent air, ordered a second glass, and remarked that he was still pondering the useless problem of whether the law of identity A = A was correct, since it posited two identical A’s, while actually there could only be one A identical with itself, and anyway, applied to reality it was quite meaningless, since there was no self-identical person anywhere, because everyone was subject to time and was therefore, strictly speaking, a different person at every moment, which was why he, D., sometimes had the impression that he was a different person each morning, as if a different self had replaced his previous self and were using his brain and consequently his memory, making him all the more glad that he was a logician, for logic wa

From Flusser's Towards a Philosophy of Photography (1983): Images are mediations between the world and human beings. Human beings 'ex-ist', i.e. the world is not immediately accessible to them and therefore images are needed to make it comprehensible. However, as soon as this happens, images come between the world and human beings. They are supposed to be maps but they turn into screens: Instead of representing the world, they obscure it until human beings' lives finally become a function of the images they create. Human beings cease to decode the images and instead project them, still encoded, into the world 'out there', which meanwhile itself becomes like an image - a context of scenes, of states of things. This reversal of the function of the image can be called 'idolatry'; we can observe the process at work in the present day: The technical images currently all around us are in the process of magically restructuring our 'reality' and turn

From Susan Howe's Souls Of The Labadie Tract : Errand During his ministry in Northampton, Jonathan Edwards travaled alone on horseback from parish to parish. Boston was a three-day ride east. It was easier to get to Hartford and New Haven. At Greenfield, the Mohawk Trail began its climb westward toward eastern New York (then frontier territory). As an idea occured to him, he pinned a small piece of paper on his clothing, fixing in his mind an association between the location of the paper and the particular insight. On his return home, he unpinned each slip and wrote down its associated thought according to location. "Extricate all questions from the least confusion by words or ambiguity of words so that the Ideas shall be left naked" he once wrote. Poetry is love for the felt fact stated in sharpest, most agile and detailed lyric terms. Words give clothing to hide our nakedness. I love to imagine this gaunt and solitary traveler covered in scraps, riding t

Excerpt from Caroline Martel's The Phantom of the Operator

Carmelo Bene's Salomè

Meaningless work is obviously the most important and significant art form today. The aesthetic feeling given by meaningless work can not be described exactly because it varies with each individual doing the work. Meaningless work is honest. Meaningless work will be enjoyed and hated by intellectuals - though they should understand it. Meaningless work can not be sold in art galleries or win prizes in museums - though old fasion records of meaningless work (most all paintings) do partake in these indignities. Like ordinary work, meaningless work can make you sweat if you do it long enough. By meaningless work I simply mean work which does not make money or accomplish a conventional purpose. For instance putting wooden blocks from one box to another, then putting them back to the original box, back and forth, back and forth etc., is a fine example of meaningless work. Or digging a hole, then covering it is another example. Filing letters in a filing cabinet could be considered meanin

Thomas Nordanstad 's HASHIMA, Japan, 2002 documentary. (Installation version here )

Found Sarah Pickering by way of Explosions in Ein Magazin über Orte No. 5. The book Explosions, Fires, and Public Order is available from Aperture Foundation .