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Showing posts from March, 2013

The Woman Who Powders Herself

Patrick Bokanowski's La femme qui se poudre (1972)

Axolotl

Julio Cortázar Axolotl (1956) There was a time when I thought a great deal about the axolotls. I went to see them in the aquarium at the Jardin des Plantes and stayed for hours watching them, observing their immobility, their faint movements. Now I am an axolotl. I got to them by chance one spring morning when Paris was spreading its peacock tail after a wintry Lent. I was heading down the boulevard Port-Royal, then I took Saint-Marcel and L'Hôpital and saw green among all that grey and remembered the lions. I was friend of the lions and panthers, but had never gone into the dark, humid building that was the aquarium. I left my bike against tbe gratings and went to look at the tulips. The lions were sad and ugly and my panther was asleep. I decided on the aquarium, looked obliquely at banal fish until, unexpectedly, I hit it off with the axolotls. I stayed watching them for an hour and left, unable to think of anything else. In the library at Sainte-Geneviève, I consulted

A Portrait of Ga

Margaret Tait's stunningly beautiful A Portrait of Ga (1952). -Thanks to der Blue Angel for pointing this short film out to me

Windup Girl Dolls in a Box

ぜんまい少女箱人形 Windup Girl Dolls in a Box (ぜんまい少女箱人形), by Takato Yamamoto (2004). Takato Yamamoto feels like Aubrey Beardsley illustrating a Lewis Carrol fable as an Art Nouveau Shunga hand scroll.